grass and elm stretched tall and wide,
a grey-calm sky recovering like
someone just finished crying.
could I remember these days?
billowing clouds and swelling sighs building
in hearts and lungs. lips breathe and release
heavy waste like an exhaust pipe. I wonder,
will I remember these days?
nature makes a man feel peace, serenity,
understanding insignificance, no matter
the road ahead or trials behind him.
should I remember these days?
no, but they are necessary.
transmuted misery of too many days in bed,
and cold heart and stiffed hamstrings.
when does Christmas end
and the new year starts feeling
like an old one. Montauk’s
got secrets that won’t leave
Long Island. Behind the lighthouse
inside a dark home we made a
cozy indent of what’s familiar.
stretched and spread in shapes
that wind and coil, tense with sweat,
passion as a form of exercise.
exhausted happiness, out of breadth,
grinning and blessed in natural serenity
and gentle sin. done up in rhyme
such madness to enjoy.
Sandy asks me why I’m so quiet, and I don’t know what to tell her. Lately I’ve felt a lack for words and feelings although I’m pretty overstocked on both. I suppose I could be hoarding sentiments, saving them for a rainy day or bright eyed Jane on the subway. And I hear the tip-tip-tip-tap-tap-tip drizzle against my window sill but when I stare at the shelves then back at Sandy I just can’t bare to part with a single phrase or hug or Good Morning Beautiful. I’m overflowing again with so many thoughts in my head, but they don’t race any more. Instead they’re sluggish and relentless – dragging their feet through the recesses of my day while I’m in the shower or silently consoling strangers on the train. This afternoon I made a best friend and we carved our names on a tree trunk just outside of town although he doesn’t know it yet.
Sandy knows it though, I think. She knows too much sometimes.
And normally stuff like this is fine because I’ve always kind of lived my life with head in the clouds (and between warm legs,) just musing for amusement and just going through the motions with my body on autopilot. I’ve forgotten what the sun feels like so now I’m restless and sticky and asking what this thing dripping down my brow and heart is. Sandy says its pulp, and then I wonder if she’s calling me a fruit or something she can squeeze dry. I guess human adaptability can also be a pretty terrible thing when you think about it – becoming so used to something that the opposite feels like a threat. What a strange notion, to consider that I’m not used to happiness. It’s such an off term also if you read too deep into it like I always do: used to happiness. Used to it.
Happiness is using me, so happiness must be conniving.
So I’m far from melancholic, far from lonely, far from Moloch, far from observations of human desolation, but I’m never far from Sandy. And I’d rather not write about love if it ends well, to be honest, although that’s exactly what this disease is. I know it, but I won’t ever say it. Not ever. There’s a certain level of defeat that goes with that statement, and I don’t really mean in a sense of being ‘vulnerable’. It’s defeat because I feel I can still do better. My hormones remind me often – super models, and that girl who turned me down in secondary school, and that cutie on the third floor with the red hair and bitter eyes: they’re all as appetizing, have infinite possibilities and maybe friends that are probably even more attractive and more quirky and have even more strange and fascinating habits I can poke fun at over lattes and orgasms.
But they aren’t Sandy. They’ll never be Sandy.